| b i o |
| I have worked as an artist, designer, and teacher for nearly twenty years, the last five of them in the Midwest. The wide flat landscape and agricultural expanses I experienced here, particularly in Iowa, made a big impression on me, and have led to an ongoing body of botanical images and investigations into our relationship with the natural world. My work has been exhibited regionally and nationally, and has twice been commissioned for public spaces in the Midwest. |
| r e s u m e |
| EDUCATION |
| MFA,
1994, State University of New York, Stony Brook, NY BFA, 1985, California College of Arts and Crafts, Oakland, CA |
| SELECTED EXHIBITIONS |
| 2007
TechArt III, South
Shore Art Center Cohasset,
MA 2006 Spirit of Inquiry: Sally Kuzma and Denis Roussel, Wart burg College, Waverly, Iowa 2006 Form and Flora: Works by Blair Benz, Tim Frerichs, and Sally Kuzma , Hearst Center for the Arts, Cedar Falls, Iowa 2004 56th Arrowhead Biennial, Duluth Art Institute, Duluth, MN 2003
Roots of Renewal,
Faulconer
Gallery, Grinnell College, Grinnell Iowa 2003
The Altered Image: Digital Photography in the Midwest,
Custom Surfaces Gallery, West Branch, Iowa 2003
Tech Art,
South Shore Art Center, Cohasset, MA 2003
Avant-Garden, Torpedo Factory Art Center, Arlington, VA 2002
Iowa 2002: New Art, Cedar Rapids Museum of Art, Cedar Rapids, IA, 2002. 2001 Scanning the Prairie, Hearst Center for the Arts, Cedar Falls, Iowa 1999 Alumni Show, University Art Gallery, Stony Brook, NY 1998 25th Anniversary Group Show,A.I.R. Gallery, New York, NY |
| AWARDS |
| Iowa
Arts Council Grant, 2002. |
| COLLECTIONS |
| US
Embassy, Armenia University of Iowa Hospital, Iowa City, Iowa Center for Prairie Studies, Grinnell College, Grinnell, Iowa |
| PUBLIC COMMISSIONS |
| Crop
Rotations/ Remember the Seed Germ, 2005.
16 Soybean Generations and 12 Corn Rotations, 2004 |
| PUBLICATIONS |
| Roots
of Renewal exhibit reviewed by Patricia Murillo, Art Papers March/April
2004, pp. 50-51 |
| WRITINGS |
| Writings on art and medicine published in Praxis Post include a look at William Kentridge’s use of medical metaphors; a review of Damien Hirst's 2000 solo show in New York; ; Barton Benes' controversial sculptures made of the materials he confronts daily while living with HIV. Catalog essay "In these times, in this place" for Mexican Cultural Institute monograph on Juan Alberto Mancilla. 1997. Essay “Myth Making and Myth Breaking in Mel Chin’s Revival Field,” published in Art Criticism Journal (Spring 1995), Donald Kuspit, ed. |
| TEACHING |
| Visiting Artist, University of Monterrey, Monterrey, MX, 2001 Artist in Residence, NSF/Science and Technology Entry Program. Worked with 8th and 9th grade science students, summer 1995. Instructor, Suffolk Community College, Riverhead, NY, 1994-95. Taught graphic design and history of graphic design. Drawing and Painting Instructor, SUNY Stony Brook, 1993-4. Fundamental still-life and composition for art majors. Adult drawing classes, emphasizing basic skills. |
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